The settlement area, which initially had 6 elements, is largely used now. But roads cost space and a lot of cocoa beans, the common means of payment used by the Aztecs. For this purpose, existing houses can be moved, even if they then no longer pay taxes due to lack of road connections. This requires additional houses at first. So it is obvious to build a second vegetable farm. This requires 15 vegetables, which a single vegetable farm would only deliver in 12 hours. But these have to be unlocked in the level pyramid first. The fourth quest then wants us to build 2 simple shrines. The vegetables would take 8 hours, so it is faster to build some more sculptures. The construction site already fulfills the task.Īfter that we should either reach 55 diplomacy or collect 10 vegetables. The third partial goal is then the establishment of a vegetable garden. Thus the second task is also quickly accomplished. Nevertheless, it makes sense to use the gaps created for this. Since these can be moved at any time for free, it doesn’t matter where they are built. Next, 5 Honoring Sculptures are required. So with the start of building the 3 huts the first quest is already fulfilled. We are stingy with paths, because they are very expensive. This is because Columbus discovered Central America in the Colonial Age.Īs already known from the other settlements, some huts are to be built first.Īmong the Aztecs, these are Macehualtin huts (Ma:se:waltin), named after the largest population of the Aztecs. While the other Cultural Settlements are unlocked by research in the Technology Tree from the end of the Iron Age onwards, the Aztecs can only be enabled in the colonial age after researching the technology Colonies. After the Vikings, Feudal Japan and Ancient Egypt, the Aztecs are the fourth cultural settlement in Forge of Empires.
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Per-timeline color management is a big deal and helpful for large projects. With the rise of online video and other apps making it simple to do, it’s a welcome addition. Now we get more machine learning goodies like audio classification, auto-subtitles, and transcript text-based editing.Īuto subtitles alone is worth shouting about, as that’s been one of the most requested features I’ve seen lately. Last year we saw features like the voice isolation, depth map, and improved magic mask… The AI features are some of the most useful additions. Other BMD announcements are included in there too, it should start at the Resolve portion. In the video above, there’s an overview with many. This release is now in public beta, and includes some really exciting features including auto-generated subtitles, transcription editing, fairlight groups, relighting OFX, USDs in Fusion, and plenty more. It’s here! The next update for DaVinci Resolve - and it’s a big one - has arrived. 1” ( “End of Exile” is my favorite), Jetty Rae’s “More Than December” (her version of “Have Yourself a Merry Little Christmas” is like a cozy blanket), and Amy Stroup’s “You Make The Cold Disappear” (“Love’s a Light” nearly made me cry with it’s gorgeousness). Of course I listened to Christmas music this month! Three gorgeous eps in particular I found this year have become favorites I’ll be enjoying for many more years to come: Evan Wickham’s “Christmas Music Vol.Because it is so relevant to what I’m learning about being a flawed, broken person, and being loved anyway. I love his narrative songs, and this one is so personal and moving. My favorite songs from it are “Just Kids” “Ghost” “One Heart” “Shasta” and “Air I Breathe.” It’s strangely therapeutic, in the best possible way. He is one of my favorites, and this album is equal parts fun and haunting I smile and get misty-eyed throughout. Get it on Noisetrade! My favorite from it is definitely “Rivers End,” but I also love “First Love” “Dead Alive” and “Carry You.” I fall for it more every time I listen to it. I wanted to cry the first time I heard this, because sometimes I fear there isn’t someone in the world who would say these things. Musically ethereal, lyrically insightful and thoughtful and poetic. “No Answers” and “Eight Long Months” by Zach Winters. My favorites from it are “Pieces” and “Sister.” “Hushed” is his slowed down ep of a selection of songs from his full “Black Bear” album, which I also really enjoy, but “Hushed” just hits me. His songwriting has such depth and beauty in it lyrically it is profound and thoughtful, melodically it is comfortable and down-home. Andrew Belle’s “Black Bear (Hushed)” ep.Close your eyes and listen to the lyrics, especially the second half. His song “These Crazy Times” was also a helpful thinking-space for me this month. This song is a blast and I love knowing that he wrote it for his little daughter.
The famous “Star Wars” themes - including the opening fanfare, music for the Force and themes for Rey and the Emperor - return, along with four new motifs: the darkly hued “Anthem of Evil,” an optimistic “Rise of Skywalker” theme, a scherzo for action sequences and new music for Kylo Ren (Adam Driver). Williams, Abrams and music editor Ramiro Belgardt watched playbacks on small video screens out of sight of the players. In the interests of secrecy, no film was projected while Williams was conducting the orchestra (which is routine on most film dates). How does he have the energy to do all that?” John orchestrates everything, he conducts his own music and he’s so aware and in control. We were all honored and grateful to be there. “It was exciting,” says one musician who played on the sessions. He praises the orchestra as “the equal of almost any, surpassed by very few.” Augmenting his 102-piece ensemble was the 100-voice Los Angeles Master Chorale, which got to sing a few syllables in the ominous Sith language, Williams confirms. “The Rise of Skywalker” was, like the previous two “Star Wars” films, recorded in Los Angeles. Yes, it was long, but I always had a sense of being grateful - having the energy and interest to do it and to work with the orchestra, which was especially lovely.” Each day I got up to work hard on difficult music. Despite the workload, which occupied much of his year, the 87-year-old composer insists, “It was a wonderful way to spend six or eight months. |
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